Oil On Canvas, Real Flavor of Old Masters

All MANTEGNA, Andrea 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
33408  
Agony in the Garden, MANTEGNA, Andrea
  		 Agony in the Garden   mk86 c.1460 Tempera on wood 63x80cm London,National Gallery
8046  
Agony in the Garden (detail) sg, MANTEGNA, Andrea
  		 Agony in the Garden (detail) sg   c. 1459 Tempera on wood National Gallery, London
8045  
Agony in the Garden dth, MANTEGNA, Andrea
  		 Agony in the Garden dth   c. 1459 Tempera on wood, 63 x 80 cm National Gallery, London
8054  
Ceiling Oculus sg, MANTEGNA, Andrea
  		 Ceiling Oculus sg   1471-74 Fresco, diameter: 270 cm Camera degli Sposi, Ducal Palace, Mantua
33409  
Dead Christ, MANTEGNA, Andrea
  		 Dead Christ   mk86 c.1480 Tempera on canvas 66x81cm Milan, Pinacoteca di Brera
8052  
Parnassus sg, MANTEGNA, Andrea
  		 Parnassus sg   1497 Canvas, 160 x 192 cm Mus??e du Louvre, Paris
33366  
Portrait of Cardinal Lodovico Trevisano, MANTEGNA, Andrea
  		 Portrait of Cardinal Lodovico Trevisano   mk86 c.14591469 Tempera on wood 44x33cm
8047  
Portrait of a Man ag, MANTEGNA, Andrea
  		 Portrait of a Man ag   c. 1460 Wood National Gallery of Art, Washington
32524  
Recreation by our Gallery 01, MANTEGNA, Andrea
  		 Recreation by our Gallery 01   mk79 About 1459
32523  
Recreation by our Gallery 02, MANTEGNA, Andrea
  		 Recreation by our Gallery 02   mk79 1497
42917  
Samson and Delilah, MANTEGNA, Andrea
  		 Samson and Delilah   mk170 1495-1500 Tempera on linen 47x36.8cm
32525  
San Sebastiano, MANTEGNA, Andrea
  		 San Sebastiano   mk79 1476-1477, olio su tela trasportato su tavola
32387  
St George, MANTEGNA, Andrea
  		 St George   c. 1460 Tempera on panel, 66 x 32 cm
8049  
St Sebastian sg, MANTEGNA, Andrea
  		 St Sebastian sg   1456-59 Panel, 255 x 140 cm Mus??e du Louvre, Paris
8048  
St Sebastian sgy, MANTEGNA, Andrea
  		 St Sebastian sgy   1457-58 Wood, 68 x 30 cm Kunsthistorisches Museum, Vienna
8056  
Suite of Cardinal Francesco (detail) ag, MANTEGNA, Andrea
  		 Suite of Cardinal Francesco (detail) ag   1471-74 Fresco Camera degli Sposi, Ducal Palace, Mantua
8044  
The Adoration of the Shepherds sf, MANTEGNA, Andrea
  		 The Adoration of the Shepherds sf   c. 1451-53 Tempera on canvas tranferred from wood, 40 x 55,6 cm Metropolitan Museum of Art, New York
8057  
The Court of Mantua (detail) ef, MANTEGNA, Andrea
  		 The Court of Mantua (detail) ef   1471-74 Fresco Camera degli Sposi, Ducal Palace, Mantua
8055  
The Court of Mantua (detail) g, MANTEGNA, Andrea
  		 The Court of Mantua (detail) g   1471-74 Fresco Camera degli Sposi, Ducal Palace, Mantua
33410  
The Gonzaga Family and Retinue finished, MANTEGNA, Andrea
  		 The Gonzaga Family and Retinue finished   mk86 1474 Fresco,600x807cm Mantua,Palazzo Ducale, Camera degli Sposi
8051  
The Lamentation over the Dead Christ st, MANTEGNA, Andrea
  		 The Lamentation over the Dead Christ st   c. 1490 Tempera on canvas, 68 x 81 cm Pinacoteca di Brera, Milan
8050  
The Madonna of the Cherubim sg, MANTEGNA, Andrea
  		 The Madonna of the Cherubim sg   c. 1485 Panel, 88 x 70 cm Pinacoteca di Brera, Milan
32390  
View of the West and North Walls, MANTEGNA, Andrea
  		 View of the West and North Walls   1465-74
8053  
View of the West and North Walls sg, MANTEGNA, Andrea
  		 View of the West and North Walls sg   1465-74 Camera degli Sposi, Ducal Palace, Mantua
MANTEGNA, Andrea
Italian Early Renaissance Painter, ca.1431-1506 Italian painter and printmaker. He occupies a pre-eminent position among Italian artists of the 15th century. The profound enthusiasm for the civilization of ancient Rome that infuses his entire oeuvre was unprecedented in a painter. In addition to its antiquarian content, his art is characterized by brilliant compositional solutions, the bold and innovative use of perspective and foreshortening and a precise and deliberate manner of execution, an aspect that was commented upon during his lifetime. He was held in great esteem by his contemporaries for his learning and skill and, significantly, he is the only artist of the period to have left a small corpus of self-portraits: two in the Ovetari Chapel; his presumed self-portrait in the Presentation in the Temple (Berlin, Gemeldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and the funerary bust in his burial chapel in S Andrea, Mantua, designed and probably executed by himself. His printmaking activity is technically advanced and of great importance, although certain aspects of the execution remain to be clarified.



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